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#Reverb lp pink floyd final cut series
These models would drive the designs of future models from those and other manufacturers.ĭemand for hollow and semi-hollow guitars was strong enough that Fender, which was founded on the idea of solid-body guitars, launched the Coronado series in 1966. Numerous artists point to the Ed Sullivan performance, in which Harrison played a Gretsch and Lennon played a Rickenbacker, as the reason they picked up a guitar. In addition to his Gibson J-160E and Gretsch Duo Jet, George Harrison notably played several hollow-body guitars, including Gretsch Country Gentlemen and the thinline Epiphone Casino, which also became a long-time favorite of Paul McCartney and John Lennon. Guitar sales peaked in the late ‘60s and, as seen from the list, the impact of the Beatles on popular music simply cannot be overstated and seems to have driven sales of hollow-body guitars and inspired the launch of several new models. Led Zeppelin, Led Zeppelin II, 1969 (12 million copies U.S.).The Beatles, Abbey Road, 1969 (30 million worldwide).The Beatles, The Beatles, also known as The White Album, 1968 (9.5 million copies U.S.).Pepper's Lonely Hearts Club Band, 1967 (30 million copies worldwide) The Beatles, Revolver, 1966 (6 million copies U.S.).It is also interesting to note that classic ballads were waning and that international music was sneaking into the charts. The later solidbody Roundup and Duo Jet models offered a harder sound and a marked contrast to the big hollow bodies. Gretsch introduced the Chet Atkins 6120 in 1954, but when Filter’Tron humbuckers were added in 1958, the premier early rock model was born. Haley's Gibson L7-C and Super 400 would set the stage for Gretsch to “borrow” their style for its line of semi-hollow electrics, driving the sound of early rock forward. Rockabilly put guitar playing to the forefront of pop music, with Eddie Cochran and Gene Vincent expanding on Haley’s sounds and inspiring Jeff Beck, Eric Clapton and Jimmy Page, all of whom proved to be tastemakers of the future, selling millions of records and inspiring their own signature guitars. To see Bill Haley rank so high was a surprise, as his selection of instruments seems directly tied to guitar design and sales, and the rockabilly movement was the start of guitar-based rock ‘n’ roll music. Rocco Granata, “Marina,” 1959 (1 million copies Germany).Elvis Presley, “Jailhouse Rock,” 1957 (4 million sold, US and UK).Doris Day, “Que Sera, Sera (Whatever Will Be, Will Be)” 1956 (1 million copies U.S.).Bill Haley & His Comets, “Rock Around the Clock,” 1955 (40 million copies worldwide).Jo Stafford, “You Belong to Me,” 1952 (2 million copies U.S.).To consider this proposition in a bit more depth, let’s define popular music through the top-five selling singles or albums from each of the past decades and the design and popularity of the guitars at the time. But this argument is tricky record sales are collected and published and detailed data on guitar sales, especially from previous decades, is not. Rickenbacker relies on nostalgia for The Beatles and The Byrds to sell guitars Gibson and Fender on Led Zeppelin, Cream and Jimi Hendrix. But can the same be said of popular music and electric guitars? Athletes drive the sales and design of shoes, clothing and other sporting goods, for example, and celebrities drive the sales of everything from soup to auto insurance. With most consumer products, it’s easy to follow the trends driving sales and design.
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